How Far We've Come, 38’’ x 48’’, Oil on canvas
Detail, How Far We've Come, 38’’ x 48’’, Oil on canvas
Side view, How Far We've Come, 38’’ x 48’’, Oil on canvas
Study of Nyack Beach Scene, 14’’ x 18’’, Oil on Canvas
Pink Cloud Study, 8'' x 10'', Oil on Wood
Pinc Cloud, 18'' x 24'', Oil on Wood
Pinc Cloud, detail
Pinc Cloud, detail
Pinc Cloud, detail
Study for Snow on St. Charles, 10'' x 14'', Oil on wood
Snow Day on Saint Charles Avenue, 42 x ¼ x 32 ¾ , Oil on canvas
Snow Day on Saint Charles Avenue, detail
Snow Day on Saint Charles Avenue, detail
Snow Day on Saint Charles Avenue, detail
Snow Day on Saint Charles Avenue, detail
Snow Day on Saint Charles Avenue, detail
Ft. Collins Reservoir on the 4th of July Study, 9 ¾ ‘’ x 12’’ , 24.76cm x 30.48cm, Oil on Canvas, 2025
Detail, Ft. Collins Reservoir on the 4th of July Study,
Ft. Collins Reservoir on the 4th of July 2nd Study, 14” x 18 ¼’, 35.56cm x 46.35cm, Oil on Canvas, 2025
Detail, Ft. Collins Reservoir on the 4th of July 2nd Study,
Vondelpark Amsterdam Study, 14’’ x 18’’, 35.56 cm x 45.72 cm, Oil on Canvas, 2025
Detail, Vondelpark Amsterdam Study
Canal St. Martin from Passerelle Bichat Study, 14’’ x 18’’, 35.56cm x 45.72, Oil on Canvas, 2025
Detail, Canal St. Martin from Passerelle Bichat Study,
Nyack Beach in my mind, 14 ¼’’ x 11’’, 37.19cm x 27.94cm, Oil on Canvas, 2025
Detail, Nyack Beach in my mind
Lost Man Lake in my mind, 12 ½’’ x 9 ½’’ , 31.75cm x 24.13cm Oil on Canvas, 2025
Detail, Lost Man Lake in my mind
Light on the Mountains in my mind, 12 ¼’’ x 9 ½’’ , 31.11cm x 24.13cm, Oil on Canvas, 2025
Detail, Light on the Mountains in my mind
What you see here is a collection of paintings from 2025.
Places I’ve been to, and remember. Places I’ve imaged from sights seen.
The real places I paint are ones that have stopped me in my tracks demanding presence. I make a drawing if I am prepared to do so, otherwise I observe quietly for a long time. Eventually I return to the studio and complete a small study to capture quickly what I remember. I’ll paint it again knowing how to improve the image to resemble my memory better.
The in my mind images are made from memories of places I’ve been to, though they are not as ‘fresh’. In these I allow my imagination to fill in the gaps, to be taken by a surreal wave of inspiration, until I see that I’ve been brought back to somewhere I’ve been before. It is like dreaming while awake.
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Memory is something I’ve navigated through pictures. 11 years of icloud storage, I have some 40k photos. It is an unmanageable mass, of which landscape photos make a good chunk. It is nice to have them to look back on later, to show people my journeys, advise them on places they have to see. Though I’m often unsatisfied, as the photos themselves often pale in comparison to what I saw.The iPhone cannot yet capture all the colors of the sky. I also feel a sense of guilt, leaving the present moment to preserve a lesser version of it to be lost in the abyss of photos.
As much as I’d like to, I cannot paint every beautiful sight I’ve seen, as I see them everyday. I have to be selective for what gets to the canvas. Memory too is selective, we don’t get to keep every day. I see a natural harmony in this, that the documentation icloud is in conflict with.
I take fewer pictures now. Instead of trying to have it all, I try to keep closest to me those moments that stand out, close my eyes and see them again. Like the Once in a lifetime pink cloud that silently demanded attention, or the moon shining on a reservoir in rockies on the 4th of July. With focus, I can access a salient moment, where I felt some eureka!, with life. I can compare who, what, where I was with the present. I can see how far I’ve come.
I don’t think there is anything wrong with collecting images. Though its become clear to me, that memory and description, can fill a desire to capture our lives.
